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Sofka Zinovieff Euridice Street Reviews
100 Notable Books 2005
Financial Times
“Getting to know more about a relatively unsung capital is just one of several reasons to read “Eurydice Street”, Sofka Zinovieff’s captivating book about going to live in the city as the wife of a Greek official and mother of two rapidly Hellenising daughters….
It is infused with an indomitable joie de vivre. ” Splendours amid scents of jasmine: For an unsung capital, Athens has much to offer, including one of the world's most inspiring places HARRY AYRES SLOW LANE.
Harry Eyres
14 August 2004
Athens, among European cities, gets a lousy press. At the time of writing I neither know nor greatly care whether various Olympic venues have received their last lick of paint (or even more essential structural components). One of the biggest European environmental disasters of recent times is the new Eleftherios Venizelos airport - not because it doesn't work or has bits falling off it, but because the old airport served perfectly well, was far easier to reach and, unlike the unnecessary new airport, did not devour an enormous chunk of the best agricultural land in Attica.
I've always enjoyed visits to Athens, despite the far from negligible problems of pollution and ugly uncontrolled development. I rediscovered Greek holidays a few years ago - not having been since my early 20s - in a brief but intense phase. The goal was islands, certain very small Cycladic islands where you don't need any transport other than shank's pony to take you to idyllic unfrequented swimming beaches, but the first and last legs consisted of two or three nights' bar- and taverna-crawling in Athens.
Nights is probably the mot just because days, certainly afternoons, in the Athenian summer are often too hot to do anything except flop on your hotel bed. After seven though the heat begins to relent and you can make your way to the less touristy parts of the Plaka. I spent a memorable evening there three years ago, drinking cool
Mythos beer in the Klepsydra bar as the still mysterious and beautiful Athenian night drew in, with scents of jasmine, surrounded by talkative and attractive young people. One of the couples, with whom I got into conversation, turned out to be Jewish/Sikh newly-weds on honeymoon from north London - clever, warm, friendly people who it would be a pleasure to meet anywhere. Afterwards we had supper at a taverna (Plato's in Odos Kladou) that hardly seemed to have changed since the days of Zorba.
My knowledge of Athens is very limited, hardly extending beyond the bars and tavernas of the Plaka, one or two seedy hotels near Omonia Square, the Acropolis and the National Archaeological and Goulandris Cycladic Art museums. Getting to know more about a relatively unsung capital is just one of several reasons to read Eurydice Street, Sofka Zinovieff's captivating book about going to live in the city as the wife of a Greek official and mother of two rapidly Hellenising daughters.
I tend to be suspicious of the whole genre of books that involves northern Europeans seeking Shangri-La in some Mediterranean setting where the sound of cicadas drowns out passing jets and twinkly-eyed locals appear with gifts of regional delicacies or just to fix the plumbing in winningly idiosyncratic ways. I am also highly allergic to the writings of smart young mothers about how to placate the little ones on shopping trips to the supermarket in the Landcruiser.
Even the most cursory look at Eurydice Street reveals that it fits into neither of these categories. Zinovieff speaks fluent Greek and spent some time in her 20s conducting PhD field research on the risque topic of kamakia - the Greek youths famed for their Don Giovanni-like conquests of female tourists. Her book is an affectionate but not rose-tinted picture of a society still recovering from the multiple traumas of the 20th century - including the sack of Smyrna, brutal German occupation, equally brutal civil war and a military dictatorship that was still gunning down and torturing students in 1973. It is infused with an indomitable joie de vivre. She made me want to return to Athens and explore quarters such as the student stronghold of Exarcheia and Psirri, a neighbourhood of artisan's workshops by day and fringe theatre, ethnic restaurants and boites by night.
Zinovieff is not overawed by the achievements of ancient Athens and spends little time on the glories of Greek sculpture and architecture. She quotes Bernard Shaw, speaking with iconoclastic relish of the "stupid classic Acropolis". Call me a square, but the stupid classic Acropolis still strikes me as Athens's spiritual centre and one of the world's inspiring places.
I won't forget my first walk up to the Acropolis on a bright April morning, at the age of 17 on a school classics trip. The extraordinary combination of size and lightness of the Parthenon seemed pretty special, as did the exquisite workmanship of the tiny Ionic temple of Athene Nike. But the building I remember best - maybe because I wasn't expecting it - was the modest but lovely octagonal Tower of the Winds in the Plaka, built out of Pentelic marble long after the glory days of Pericles, Phidias and Sophocles. The Tower of the Winds doesn't celebrate civic glory or victory, but playfully personalises forces even more powerful and more enduring - the breezes that carry on blowing through the fall of empires.
Daily Telegraph
"…An insightful account of a chaotic and exhilarating city, where the writer had personal as well as cultural obstacles to overcome. " Chris Moss
26 June 2004
Travel writing is going the way of the telly: it's all about personality, or at least personal narratives, rather than place. Add to this dubious trend the bloated value of British homes, and it's no wonder our bookshops are piled with paperbacks in which Brits swap mortgages in the drizzle for farmsteads in the sun. As a former expat, I am particularly interested in the lies and deceit these escapists can spin. Ten years in Argentina, teaching, writing and doing assorted odd jobs, was a formative experience for me, but it certainly wasn't all lemons, sun-baked terraces and rustic renovations. It was sometimes dark and lonely - just like life. Perhaps I went to the wrong place. Isobel Dusi's Bel Vino (Pocket Books, pounds 7.99), a follow-up to Vanilla Beans & Brodo, describes a year spent in the medieval village of Montalcino in Tuscany, with her partner Lou, as an extended vacation in heaven.
Portraying the community around them and detailing their efforts to join it -which included renaming themselves Isabella and Luigi - she gushes about the famous Brunello di Montalcino winemaking family, local ecclesiastical issues and the "last remaining shoemaker". At 500 pages, it's an awful lot of rural harmony and hearty food even for the most accomplished armchair fantasists. Also, for all that the couple's life in this stable, familiar EU country is utterly ordinary and middle-class, Dusi elevates her prose to an oddly dated, romantic register: she "dwells" in Italy, "tarries" on her walks, holds plates "aloft". Modernity, it seems, cannot be allowed to infect the pure pleasure of a year lived at pre-industrial rhythms. From the same safe, idyllic stable comes Celia Brayfield's Deep France (Pan pounds 7.99). Brayfield, an author of romantic comedies, spent a year in a village in the Bearn, and admits that her book is merely a record of other people's (mainly Francophile expats) lives taking place around her, written as a parallel text while she worked on a novel. Sharp, succinct pen portraits of locals and literary allusions partially rescue a naive, generalising narrative (too many sentences begin "the French are like this", "the French do that"), but the high points are the culinary anecdotes and authentic recipes. Which aren't very high at all, and hardly constitute an original angle on the French interior. Far more specialist, but even more domesticated, is the American journalist Joan Marbles' Notes from a Roman Terrace (Black Swan pounds 7.99). It's based on a whopping 30 years living - or rather, gardening - in a 16th-century palazzo in Canale, near Rome. History, culture and life get in here and there like so many weeds, but they are all subservient to grass-cutting and peonies. Moodier and too intelligent to be merely opportunistic, Sofka Zinovieff's Eurydice Street: A Place in Athens (Granta, pounds 14.99) comes to us in a year when the Greek capital seems to be getting only bad press. Countering the hysteria of wilful racism, this is an insightful account of a chaotic and exhilarating city, where the writer had personal as well as cultural obstacles to overcome. Zinovieff, an anthropologist by training, had fallen in love with Athens as a student. This time round, she takes with her an expatriate Greek husband and two young daughters. Committed to staying, she tells a story of adapting to Hellenic habits with wit, wonder and occasional bouts of well-managed exasperation. If Zinovieff's book represents the clever, critical end of the genre, How to Get a New Life (BBC Books, pounds 12.99) is the dumb, desperate end. The ultimate collusion between two insidious forces - reality shows and me-culture - it is couched in an excitable prose specially created for tie-ins ("Hey, believe it or not, you too can live in fantastic France, ideal Italy, sun-baked Spain") and presents the big move as a series of boxes to tick, with the margins full of first-person accounts of how "Dave and Petunia" or "Terry and Janet" got on in Pisa or Pennsylvania. The real challenges of expat life - language, culture, breaking ties with family and friends - are skirted over breezily in what is, I suspect, a guidebook for people who will never move any further than the kitchen between one episode of the TV series and the next. The BBC can hardly be blamed for supplying what the market wants. Its prosaic manual on removal is merely a response to the previous four poetic books by these travelling ladies with their divine homes in the Med: if we are not to burn with olive-green envy, we want to have a crack at living abroad ourselves. But what is missing in all this is the possibility of failure - the difference between a story we yearn to be in and one we really enjoy. Life is just too twee and sorted in these Mediterranean memoirs. Everyone I knew in Buenos Aires lost something while living there - a job, money, sanity, a partner. To make a home abroad is to live in a heightened state of awareness - at least at the beginning - as all the social rules and rites you know are abandoned. Then - and this is perhaps even more drastic - you slowly, imperceptibly, let the locality seep in and, one day, you're a tourist no longer. It's not about building homes as much as building a life. And, finally, I have a confession: I did once buy a place in Buenos Aires - a mere caja of an apartment - but I haven't got it any more, a lesson that even bricks and mortar aren't quite so solid when you leave this house-proud isle. No one ever talked about mortgages, either, and few Argentines killed time dwelling on a life abroad (in England, say), so if that's your gig - talking about it and toasting the 20 per cent increase in house prices over the past month alone - stay put. There are plenty of books to keep you dreaming.
The Economist
“[A] witty and engaging account of life in Athens” Bearing the heat of the Olympic torch
May 27th 2004
IF THERE is a single day when the modern Olympic movement can be said to have taken root, it must be April 10th 1896, when a Greek farm boy, Spyridon Louis, won the marathon in the first Olympic Games of modern times. At about 5 o'clock in the afternoon, the sweat-stained, dark-haired young man, with no record of sporting prowess, came panting into the Athens stadium, a brand new replica of an ancient arena, after pounding 25 miles through his native Attica in just under three hours. (The current length of the marathon—26 miles 385 yards—was not set until the games of 1908.)
The crowd that day went wild. Two princes of the Greek royal family ran down to join Louis on his final lap (see above). Baron Pierre de Coubertin, the Frenchman who masterminded the revival of the ancient games, said the Louis victory was “one of the most extraordinary sights” of his life; it convinced him that “spiritual forces” have a role in sport. For the baron, the marathon result was a vindication of his long struggle to prove that amateur sport, as practised in ancient Greece, could be an inspiration for humanity in all ages, and a force for peace. He also felt justified in his support of the modern Greek kingdom, a new polity struggling to live up to its glorious past, as the starting-point for his revival.
But within a few months—as Michael Llewellyn Smith points out in his clear, scholarly and readable account—the love affair between the Frenchman and his Greek hosts had cooled. The Greeks wanted the revived Olympics to stay on home turf, while the baron believed strongly in rotating the venue. He was sharply attacked in the Athenian press.
The 1896 games had another unhappy aftermath: less than a year later, amid an atmosphere of popular jingoism, Greece embarked on a fresh war with the Ottoman empire; the princes who had jogged along with Louis became military commanders. Within a few weeks, Greece's army had been routed. As for the baron, he was undeterred by his falling out with the Greeks and went on to organise games in Paris (in 1900) and St Louis (in 1904)—which were not so successful. As it turned out, it was another contest in Athens (in 1906, but without the status of a fully fledged Olympics) that reconfirmed the games as a Greek-inspired, but peripatetic, sports event. Finally, Greece and the baron made peace; in 1938 his heart was buried in ancient Olympia, the loveliest of all classical sites.
The Frenchman was not the first, nor the last, outsider to feel both the allure and the vindictive sting of a modern Greece that manages in an uncanny way to be much more, and much less, than the sum of its parts. It has never been hard to see the shortcomings, and at times the absurdities, of the neo-Hellenic project: the revival of classical glories in the shape of a smallish modern state whose people have by turns been inspired and depressed by their awesome heritage. Indeed, native Greek wits have excelled at satirising progonoplixia, ancestor worship.
That past is often evoked in a prickly and defensive way by modern Greeks when their behaviour (individually or collectively) is at its least glorious. As Alexander Kitroeff shows in his clear, rigorous account of Greece's recent dealings with the Olympic movement, the 1967-74 military regime blithely promoted the “Olympic ideals” of classical times even as it crushed free speech and democracy.
A similar point is well made by Sofka Zinovieff in her witty and engaging account of life in Athens as the Anglo-Russian spouse of a senior public servant. She had embraced Greece, and its language, as a student, but when she later moved back there, with her Greek husband and two daughters, she found much to dismay her—such as the rigid education system and the bigotry towards immigrants.
However, she never lost her ability to be overwhelmed by small things—like the 13-year-old boy, a schoolmate of her daughters, who moves her deeply with songs full of atavistic yearning. At some points—for example, in describing the funeral of her father-in-law, a teacher—the pitch of her narrative rises from that of personal memoir and catches something more elevated.
George Sarrinikolaou, a Greek-born journalist, is no less personal in his tale of rediscovering Athens. Having lived there until he was ten, he retains a keen eye for its flaws—including its intolerance of outsiders, whose ranks he (by virtue of emigrating to America) is deemed to have joined. More harshly than Ms Zinovieff, he portrays corrupt doctors, primitive male attitudes to women, and priests who rattle through their prayers. And he is not writing with a foreigner's condescension; he is still insider enough to empathise with George Seferis, the poet who wrote that “wherever I travel, Greece wounds me”.
Between now and August, as the Athens Olympic Games refocus world attention on modern Greece, millions of outsiders will come face-to-face with that nation, with all its flaws and enchantments. Will they find it a prickly and defensive place, or an alluring one, full of mysterious surprises? Almost certainly, both.
50 Best Books of the Summer, 2005
“Zinovieff brings an affectionate and witty eye to the idiosyncrasies – universal smoking, evil eyes, massive midnight dinners – of Greek life. She seems remarkably keen, in this engaging cameo of a country, to adopt some of them, too. ”
The Spectator
"In the summer of 2001 Sofka Zinovieff accompanied her husband on a posting back to Athens. This book is both an account of her enthusiastic, if often balked, attempts to transform herself into a Greek, and a vivid evocation of a city in a chaotic ferment of change. In its lively and often trenchant blend of personal recollection and a depiction of an Athens of rowdy tavernas, resourceful refugees, majestic prostitutes, innumerable theatre companies, ferocious demonstrations and age-old customs affectionately preserved, this is a thoroughly engaging memoir." A charming but alarming city
Francis King
22 May 2004
In the summer of 2001 Sofka Zinovieff accompanied her husband, Vassilis — first met when he was press officer to the Greek embassy in Moscow — on a posting back to Athens. This book is both an account of her enthusiastic, if often balked, attempts to transform herself into a Greek, and a vivid evocation of a city in a chaotic ferment of change.
That change is at once demonstrated when the couple find a flat, undistinguished except for a tremendous view, in Vouliagmeni, 18 kilometres from the centre of the city. Some 60 years ago, when I used to visit Vouliagmeni before a direct road had been constructed to it, it was little more than a village, with a glorious crescent of a beach backed by a few simple cafés and tavernas. Now Zinovieff can refer to it as ‘Athens’s version of a Riviera’.
Zinovieff finds a relentlessly garrulous Greek maid, who, in the manner of Greek maids, within a few weeks transcends her domestic role to become both mentor and confidante. The two Zinovieff daughters accommodate themselves to their new life far more quickly than does their mother. Soon, in an attempt to obtain Greek citizenship, Zinovieff is fighting her way, with a mixture of determination and despair, through the labyrinth of a bureaucracy determined to frustrate her. Repeatedly friends advise her that to expedite the process she should use mesa (influence). Though General Metaxas once heroically gave a definite and final ‘Ochi’ to the Axis, the right mesa — or even rousfeti (bribe) — can all too often turn an Ochi into a Perhaps or even a Yes.
When not involved in all these problems of adjustment, Zinovieff explores the life of a city that she finds, like many travellers before her, both endlessly stimulating and exasperating. Having repeatedly decided that there is no disillusionment like having a dream come true, she is then touched by some act of gratuitous kindness, or impressed by some demonstration of politismos (civilised behaviour). Throughout she never ceases to be made aware of the contradictions in the Greek character: generosity, rapacity; decorum, vulgarity; tact, inquisitiveness; kindness, selfishness.
She is right to deplore the destruction of so many of the 19th-century neoclassical buildings that once gave Athens so much charm, even if she fails to acknowledge the existence of many distinguished new ones. She is also right to notice one vital change in the Greek way of life. Fifty years ago, everything in Athens stopped for lunch and did not start again until late afternoon. Now most Greeks, students included, work far harder than their British counterparts.
Whereas I found myself in general agreement with Zinovieff, two of her judgments amazed me. Firstly, she shows an extraordinary indulgence to Andreas Papandreou — surely the most dishonest prime minister of the last century, just as Karamanlis was the most honest. Secondly, she shows a no less extraordinary hostility to ex-King Constantine, ascribing to this decent, if sometimes misguided, figure ‘the sly eyes and pugnacious air of a minor civil servant’. In referring to Greece’s ‘unhappy experience’ with its kings, she seems to be unaware that an intermittent monarchy has brought the Greeks more benefits than many a republican government. More apposite are her remarks about those Greek tycoons who, though constantly declaring their passionate love for the motherland, choose to spend most of their time away from it.
In its lively and often trenchant blend of personal recollection and a depiction of an Athens of rowdy tavernas, resourceful refugees, majestic prostitutes, innumerable theatre companies, ferocious demonstrations and age-old customs affectionately preserved, this is a thoroughly engaging memoir.
Vogue
“Athens forms the background of Sofka’s writing debut, Eurydice Street, full of insight and humour. It is subtle, penetrating and written with disarming clarity. Sofka Zinovieff deserves a place on the shelves up there with Lawrence Durrell and Patrick Leigh Fermor. ”The Real Greek. Sofka Zinovieff's life reads like romantic fiction. But her first book, about her move from her native Britain to Greece, reveals a very real way of life.
Cressida Connolly
May 2004
Sofka Zinovieff was never going to be ordinary. Descended from Catherine the Great on one side and the woman you see on your £5 note, the famous prison reformer Elizabeth Fry, on the other, the fairies at her christening seem to have bestowed her with more than the usual quantity of gifts. Beautiful, clever, sweet-natured (and end-earingly prone to giggles and blushing), her exotic name is only one of the things that makes her remarkable.
Things happen to Sofka that don't happen to other people. While studying anthropology at Cambridge she went to visit her grandfather, who lived in Oxfordshire, in one of England's loveliest houses. He had never been a man much taken with children, so Sofka had seen very little of him as she was growing up. Long separated from Sofka's grandmother, his lifetime companion had been the genial Lord Berners, model for Nancy Mitford's Lord Merlin. The two had entertained the likes of Salvador Dali; a photograph shows Penelope Betjeman, her tall white horse and Evelyn Waugh all standing nonchalantly inside the house. The resident doves are dyed the blue, pink and purple of sugared almonds. The house needed someone with a sense of style to take it into the twenty-first century, and Sofka's grandfather didn't have to look far. When he died in 1987, it came to her. Sofka is that paradoxical creature, a free spirit with her feet firmly on the ground. Instead of retiring to a life of lolling in the English countryside, she continued her studies and rented out the house. She went to Greece to study for her PhD, documenting the effects of tourism on a coastal town in the Peloponnese. "I thought I was meant to be there," she remembers; "it was like falling in love. Having no things, arriving with a couple of suitcases, you could just be you. It was very liberating." She met her husband standing in a queue, when in 1990 she went to Moscow as a freelance journalist. Reporting a story on the plight of Russia's Greek population, she was waiting to interview someone at the Greek embassy when a tall, dark, handsome press attaché breezed by. He knew at once that she was the woman he wanted to marry; it took her a bit longer for the penny to drop: about a week. She acquired a married name - Mrs Vassilis Papadimitriou - every bit as splendid as her original, and they had two daughters.
Vassilis was posted to London, and then Rome, but both of them knew they wanted to live in Greece. They went back in 2001, arriving in a car with broken air-conditioning, their two little girls and mongrel dog panting on the back seat. "It felt as though we were being roasted alive in a tin can," says Sofka cheerfully.
Her first year in Athens forms the back¬ground of Sofka's writing debut, Eurydice Street, full of insight and humour. It might have been subtitled How to Be an Athenian, for Sofka had to unlearn many of her English ways, such as expressing gratitude when family help you out (it's considered a point of honour that they should, for which thank-yous are thought slightly insulting) and hesitancy of any kind.
Gradually she learns the knack of hailing a taxi in Athens, which she describes as "something between catching a fish and public speaking to a restive crowd". She discovers that "subterfuge is normal in paying restaurant bills, and those who have been paid for certainly show no gratitude. The only retort is, 'Well, it'll be my turn next time.'" She learns how to cook the traditional Christmas suckling pig, which bears "a disconcerting resemblance to the body of a hefty, naked toddler. We tried to curl it up as though it were going to sleep in the baking tray, but it wouldn't even fit halfway into our oven." Help is at hand when Sofka is told that the custom is to take the pig to the local bakery, where the ovens are ample.
Eurydice Street also details the complex politics and history that have shaped modern Greece, and the sometimes paradoxical forces that define Greek character. It is subtle, penetrating and written with disarming clarity. Sofka Zinovieff deserves a place on the shelves up there with Lawrence Durrell and Patrick Leigh Fermor, justly famous for their books on Greece. She's thinking of writing about her English and Russian grandmothers next. Perhaps she'll set up her desk on the wide terrace at her fiat, the air scented with sage, looking across the bay to the Acropolis.
Times Literary Supplement
“A guidebook of a kind, a guide to the Athens that is rather than the Athens that is trying to be. It is both a modest and a magnificently well-judged book, which anyone thinking of an Athenian trip ought to read. It is generous, appreciative as well as exasperated. ”A guidebook of a kind, a guide to the Athens that is rather than the Athens that is trying to be. It is both a modest and a magnificently well-judged book, which anyone thinking of an Athenian trip ought to read. It is generous, appreciative as well as exasperated.
Peter Stothard
16th April 2004
Guidebooks, like so much else that comes in books, came early to Greece - and stayed there without much change. Olympic visitors in the Roman empire had the benefit of Pausanias, the pioneer traveller and geographer who told Games goers what they needed to know about the classical sites, the temples of Apollo, the statues of Poseidon, all with a smattering of social life and athletic lore. Sporting visitors to the Athens 2004 Olympiad will find their own shelfloads of guidance, still Pausanian in intent, and all to places which, as Sofka Zinovieff puts it, have switched "from carved marble to reinforced concrete" with nothing very obvious in between.
Greeks are intensely conscious of their lost 2,000 years, uncertain whether to praise the virtues of their occupation by foreigners or to stick to the glories that were undeniably Greek, even if those did stop rather suddenly and rather a long time ago. The battle to stage the Olympics this year - a giant task for a tiny country - is a bid to use the past to launch the country to a more settled future. Tourists will come; they will see, they will follow the guidebooks to stadia which have been pictured if not yet built, and they will be conquered. That is the theory.
"Theory" is an important word in Greece. It is one of those words, like democracy and philosophy, with which the actress-politician Melina Mercouri used to begin her speeches, apologizing to her audience, with trademark aggressive insecurity, for speaking to them "in Greek". "Practice" is also a Greek word - but not one she boasted about so much. This August, however, should be the month when the former Culture Minister's small bronze bust, too small really for the ego it represents, smiles every day from its place by the old Olympic stadium. Greece will be strutting on the world's stage. The Olympic Games, commanded by a new Culture Minister, who is temporarily the Prime Minister himself, will have come back home.
Zinovieff is an English writer who lives in Athens, on the street for which her book is named. Eurydice Street is not in the centre where the tourists, asylum-seekers, stray dogs and Amex-wielding Olympians go, but in the suburbs by the sea. Zinovieff loves Greece, but is not so sure that all this Olympic success will happen. Nor is she sure that she wants it to happen. The restored Grande Bretagne Hotel is now one of the finest in the world. But she preferred it in its more faded state. Hers is a guidebook of a kind, a guide to the Athens that is rather than the Athens that is trying to be. It is both a modest and a magnificently well-judged book, which anyone thinking of an Athenian trip ought to read.
The author is an anthropologist by training, who made her first professional study of the "kamakia", the sharp-suited "harpoonists" who famously offered sexual services to Shirley Valentine tourists until AIDS and a transformation in domestic sexual mores drove them to minicabbing instead. Now she is a wife, mother, journalist and literary critic. She writes of how Athenians like herself live, of personal friendships, political frustrations and the problem of being or becoming a Greek.
Cab drivers will be an important part of most visitors' Olympic experience, an Athenian breed unusually determined in their view that the businessman traveller must want a receipt for twice the fare and that the resultant profit should be shared with the man behind the wheel. Rejection of their scams truly disappoints this band - just as it did when a pair of shiny black trousers and matching shades were the key to visiting females' bedrooms. When Athens began to prepare its best Olympic face, there was a scheme to train a new team of honest, English-speaking "super-cabbies". But, as Zinovieff describes with a certain satisfaction, this plan came even less close to timely completion than did the Olympic swimming-pool roof. As for the "kamakia", the focus now is on the more traditional form of sex-for-money. This anthropologist has abandoned her studies into how "kamaki was a system of male competition, whereby men without material and social status established other grounds for prestige". She now visits Elle, a woman with thighs fit for the eyes of Lucian Freud, who is tolerant of the less sexually well equipped of her clients, enthusiastic for those better provided, and impassioned only at the unfair sex-slave competition from Bulgaria.
Zinovieff came to Greece in the late 1980s after studying at Cambridge. She was supposed to research life in a Nepalese nunnery, but chose the street life of Nauplion in the Peloponnese instead. In 1990 she visited Moscow to seek permission to interview the so-called Pontian Greeks of the Black Sea coast, part of the diaspora whose hopes and fate so animate this book. There she meets Vassilis, a young Greek diplomat - and together they spend the next eleven years in Moscow, London and Rome before the moment when they decide to settle down with their two daughters - and Eurydice Street begins.
Olympic visitors this summer will see much children's display at the ceremonial parts of the Games. It is hard to sit in a hotel lobby these days without the sight of nymphs and goddesses, white costumes collected at the back with black bulldog-clips, fluttering past for the latest rehearsal. Athenian schools, Zinovieff discovers, offer sound training in march and mass display. The high spot of the year is "No day", October 28, which "commemorates one of the few clearly victorious heroic moments of Greece's Second World War", the "Ochi" moment when the Italian Fascists were denied their expected easy invasion opportunity. Instead Mussolini's macaroni-eaters got a resounding "No" and a defeat in the icy Albanian mountains; and to commemorate this triumph the Zinovieff girls soon learn to march up and down in long blue skirts and red jackets -while the newspapers conduct their annual debate about whether it is still right to ban Albanian children from the parade.
What else they learn at school is also something of a worry. Vassilis, returning to his country after more than twenty years away, finds that the education system is remarkably unchanged from his own day. And while some English parents might see that as a glorious dream of corruption reversed, Zinovieff is less amused by nights spent rote-learning the names of all the country's fifty-one administrative departments. On top of a daily three-hour dose of homework, each nine-year-old with ambitious parents needs a private tutor to ensure a successful passage to the next educational stage. It all looks like a good deal for teachers - who can double their pay in the black economy. But then everyone else is in the same game. The house-owner wants double the rent set out in the contract. The minor peccadilloes of the taxi drivers seem hardly worth complaining about.
Zinovieff visits the place where Greeks can sometimes successfully complain. She wants to become a Greek citizen - which, since she is married to a Greek diplomat and political aide, ought to be easy enough. But it is not easy. The place where problems like this may possibly be sorted out is the "other office" of the appropriate top official or politician. The "office" is where decisions are delayed. The "other office" is where votes are committed, loyalties promised, stuffed envelopes exchanged and decisions advanced. Zinovieff just watches half anthropologist, half suppliant herself, horrified and fascinated.
This is not a judgemental book. It is generous, appreciative as well as exasperated, optimistic in that tradition which has always so motivated British philhellenes over the centuries. Sofka Zinovieff sees her adopted country with the eye both of affectionate parent and dispassionate field researcher. Look elsewhere for what the monuments mean (Pausanias is still not a bad guide). But all visitors who read Eurydice Street will be introduced - with lightness and wit - to everything they truly need to get through the Olympic Summer.
Daily Mail
“The best way to understand the oddness of what it means to be Greek, the race which invented the concept of civilization, is to become Greek yourself.Sofka Zinovieff does just that. As an anthropologist, the author observes the process with an objective eye; as a wife and mother, it’s nothing less than total immersion.… Here is the inside track on what it means to be Greek; a lovely book, full of poetry, history and insights. ”
Elisabeth Luard
18th June 2004
THE best way to understand the oddness of what it means to be Greek, the race which invented the concept of civilisation, is to become Greek yourself.
Sofka Zinovieff docs just that. As an anthropologist, the author observes the process with an objective eye: as a wife and mother, it's nothing less than total immersion.
Sofka already knew something of what lay in store. Some 15 years before she and her husband Vassilis, a Greek diplomat, moved their family to Athens, she had spent three post¬graduate years on an island in the Peloponnese.
With her Ph.D achieved, she had taken time out to search for her paternal roots in Russia.
She meets Vassilis on the steps of the Greek Embassy in Moscow, where she is researching the plight of the Pontian Greeks, a persecuted minor¬ity from the shores of the Black Sea. '
Romance changes everything. 'Ever since I met Vassilis, we'd dreamed about going to live in Greece.'
The dream becomes reality when the couple, with two small children in tow, find their room with a view — actually, a maisonette with small rooms and little charm in an unglamorous suburb of Athens.
The attraction is 'a spacious terrace surveying what looked like half of Greece' from which, in the distance across the glittering waters of the Satanic Gulf, can be seen, the island, where the author's English mother was courted by her Russian father.
The maisonette also happens to be in Eurydice Street, leading, as might be expected in a land where mythol¬ogy is part of the fabric, to Orpheus Street — and thence, it must be supposed, to Hades, the land of the dead from which the beautiful Eurydice, poisoned by a snakebite, is rescued by the merry tunes of Orpheus, only to be returned to the shadows when her lover looks back.
The omens are clear. The die is cast. Athenian friends and relatives tell them they're out of their minds, but the couple have made their decision.
REALITY bites as soon as they drive off the Jetty. 'The new high-way to Athens was like a soft, steaming slick of black treacle.. .it felt, as though we were being roasted alive in a tin can.'
It is mid-July, everyone else is driving the other way, heading for the islands and the cool breezes of the Adriatic.
The mountain-ringed bowl of the Greek capital is just discernable through a 'deli¬cately lilac-tinged mist' which, Vassilis assures his anxious wife, has long since replaced the noxious grey nephos which plagued Athenians throughout the summer.
For a Greek wanderer such as Vassilis, any homecoming is a mixed blessing since, as his wife observes, it reminds the traveller of what he's escaped: 'If the Greeks have a passion¬ate pride and love for their country, they also hold feelings of shame, pity and. disappoint¬ment.'
The early days — only the first year is chronicled — are the hardest. The children, nine-year-old Anna and six-year-old Lara, relocate to Greek schools, bring home friends called Aphrodite, wear national dress and learn skipping songs in which sheep are devoured by wolves — a hint of 'the great darkness which haunts so much of Greek popular culture'.
Nevertheless, their mother burns her boats and applies for Greek citizenship, a Byzantine process which takes patronage as well as patience.
Athenian life provides a steep learning curve. An evening at the bouzoukia — a nightclub where the main attraction is the singers, the songs are heart-wrenching and the cus¬tomers are honour-bound to drink till dawn — provides a lesson in Greek friendship.
FESTIVALS — a gaffe-ridden Christmas involving a roasted piglet, an Orthodox christening in which, total immersion threatens to drown the baby — teach. Sofka that nothing is as she expected.
The conventions governing public life, the granting of favours, the importance of the koumbaro, the godfather as a
source of advancement, the bitter-sweet songs — all these things must be absorbed.
That the family survives and thrives is a tribute to the author's sensitivity and. willing¬ness to learn. The slightly awk¬ward style — anthropologists are trained to take things seriously — is balanced by the depth of her knowledge.
Here is the inside track on what it mean to be Greek: a lovely book, full of poetry, history and insights. Aspiring Shirley Valentines – a common theme throughout the narrative – shouldn’t leave home without it.
New York Times
“In telling her story, she provides insights for anyone who might want to travel to the ancient city. (''There's a definite knack to obtaining a taxi in Athens, which is something between catching a fish and public speaking to a restive crowd. You wave at any taxi, whether it has other passengers in it or not, and as it swerves over towards you, slowing down slightly, you shout out your destination. The taxi may be empty and ignore you, or it may be almost full and stop. ”
Good Book Guide
“An engaging profile of Europe’s most paradoxical capital – old as the hills, yet inventing itself anew. Zinovieff, polyglot and trained anthropologist, reveals her adopted home town with wit and perspicacity, from its hectic history to its domestic idiosyncrasies… In the end, this is a love story.”
Athens News
“It is in the best tradition of ‘subjective’ books where the subject is so sensitive, knowledgeable and talented that the result can only be a roaring success.”
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